Sculpting Sound: Günther Kieser's Music Posters

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Poster House traces Günther Kieser's four-decade career designing concert posters, beginning in the early 1950s for West Germany's postwar jazz scene. Curated by Tim Medland with exhibition design by Mihoshi Fukushima Clark, the show follows Kieser's shift from illustration and typography toward the three-dimensional models and photographic collages that defined his later rock posters. An accompanying monograph is the first English-language book on the designer.